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Stereophonic Sound es una compañía que brinda soluciones en audio profesional para el desarrollo de proyectos en diferentes líneas de mercado. Cuenta con la experiencia de profesionales en ingeniería de sonido.
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Presonus StudioLive 16.0.2 USB
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Consola digital con interface de audio multicanal y faders motorizadosDiseñada para diferentes aplicaciones en sonido en vivo y también en el estudio, cuanta con 16 preamplificadores de micrófono, perfecta para auditorios, salas de ensayo, estudios de grabación, bandas y para empresas de rental. Brinda todas las herramientas de la tecnología digital para mezcla de sonido en vivo.
Descripción
Mezcladora digital Presonus StudioLive 16.0.2 USB 8 entradas mono canal mic / línea. Preamplificador de micrófono clase A XMAX Micrófono XLR y entradas de línea balanceadas de ¼ pulgada. Fader de precisión de 60 mm. 4 entradas de canal de línea estéreo, con: Entradas de micrófono XLR, Entradas de línea balanceadas de ¼ de pulgada, Entradas de línea RCA no balanceadas. Fader de precisión de 60 mm (4 estéreo). 4 Buses auxiliares (pre / post-fader). 2 procesadores de efectos digitales estéreo de 32 bits con configuraciones personalizables de reverberación y delay. Fat Channel en todos los canales y buses, con: EQ semi-paramétrico de 3 bandas (banda individual activada / desactivada), Compresor completo, Expansor , Limitador, Inversor de fase (solo 12 preamplificadores de micrófono).
Con pantalla dedicada de 15 LEDs. Filtro de paso alto HPF. Un ecualizador gráfico estéreo de 31 bandas (sólo en las salidas principales). Interfaz de audio USB de 18 entradas / 16 salidas (24 bits / 44,1 kHz y 48 kHz). Compatible con la mayoría de los programas de audio a través de ASIO, Windows Audio, Core Audio. Almacenamiento y recuperación de escenas. El paquete de software incluye: PreSonus Studio One Artist para Mac y Windows, Software de grabación en directo PreSonus Capture para Mac y Windows, PreSonus UC Software para Mac, Windows, Android y iPad, El software PreSonus QMix-UC de descarga gratuita para iPhone / iPod touch y Android ™ proporciona control remoto inalámbrico de mezclas auxiliares.
Características Principales
- 8 mono mic/line channel inputs, each with:High-headroom Class A XMAX mic preamplifier
- XLR mic and balanced ¼-inch line inputs
- 60 mm precision fader
- 4 stereo line channel inputs, with: High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15) XLR mic inputs (Ch. 9, 11, 13, and 15) Balanced ¼-inch line inputs (Ch. 9-16) Unbalanced RCA line inputs (Ch. 13-16)
- 60 mm precision fader (4 stereo)
- 4 Auxiliary buses (pre/post-fader send)
- 2 Internal FX buses
- 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
- Fat Channel signal processing on all channels and buses, with: 3-band semi-parametric EQ (individual band on/off)
- Full-featured compressor
- Standard downward expander
- Limiter
- Phase reverse (12 mic preamplifiers only)
- Pan with dedicated 15-LED display
- Stereo link for input channels and aux buses
- Highpass filter
- One 31-band stereo graphic EQ (on main outputs only)
- 18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
- Compatible with most audio software via ASIO, Windows Audio, Core Audio
- Scene store and recall
- Settings can be copied among channels and buses and saved as user presets
- Software bundle includes: PreSonus® Studio One® Artist digital audio workstation for Mac® and Windows ® PreSonus Capture™ live-recording software for Mac and Windows. PreSonus UC Surface mixer-control software for Mac, Windows, Android™, and iPad®. Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android™ provides wireless remote control of aux mixes
- Lockout mode protects your settings from meddlers and accidents
- MIDI Control Mode provides control over: Scene and FX Preset recall
- Main Volume, FXA, and FXB output levels
- FXA and FXB assign/unassign to Mains
Especificaciones Técnicas
| Microphone Preamp | |
| Type | XLR Female, Balanced |
| Frequency Response to Direct Output (at unity gain) | 20 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Output (at unity gain) | 20 Hz-20 kHz, ±0.5 dBu |
| Input Impedance (Balanced) | 1 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd |
| S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -102 dB |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | +65 dB |
| Gain Control Range (± 1 dB) | -16 dB to +67 dB |
| Maximum Input Level (unity gain) | +16 dBu |
| Phantom Power (± 2 VDC) | +48 VDC |
| Line Inputs, Balanced | |
| Type | ¼” TRS Female, balanced mono |
| Frequency Response to Direct Outputs (at unity gain) | 10 Hz-20 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Outputs (at unity gain) | 20 Hz-20 kHz, 0/-0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Direct Output (1 kHz at unity gain) | <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| THD to Main Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
| S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -105 dB |
| S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -95 dB |
| Gain Control Range (± 1 dB) | -20 dB to +20 dB |
| Maximum Input level (unity gain) | +22 dBu |
| Line Inputs, Unbalanced | |
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +22 dBu |
| Main Outputs | |
| Type | XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level | +24 dBu |
| Output Impedance | 100Ω |
| Aux Outputs | |
| Type | ¼” TRS Female, balanced (mono) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
| Monitor Outputs | |
| Type | ¼” TRS Female, balanced (stereo pair) |
| Rated Output Level z | +18 dBu |
| Output Impedance | 100Ω |
| System Crosstalk | |
| Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -87 dBu |
| Noise Gate (Expander) | |
| Threshold Range | -84 dB to 0 dB |
| Attack Time | Adaptive (0.2 – 2.5 ms) |
| Release Time | 70 ms |
| Expander Attenuation Range | 2:01 |
| Compressor | |
| Threshold Range | -56 dB to 0 dB |
| Ratio | 1:1 to 14:1 |
| Response Time (Attack/Release | 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”) |
| Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
| Curve Types | hard and soft knee |
| EQ | |
| Type | 2nd-order shelving filter (Q = 0.55) |
| Low (Low-pass or Bandpass) | 36 to 465 Hz, ±15 dB |
| Mid | 260 Hz to 3.5 kHz, ±15 dB |
| High (High-pass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
| Digital Audio | |
| Host Interface | USB 2.0 |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 44.1, 48 kHz |
| A/D/A Bit Depth | 24 bits |
| Reference Level for 0 dBFS | +18 dBu |
| Clock | |
| Jitter | <20 ps rms (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) |
| Power | |
| Connector | IEC |
| Input-Voltage Range | 100 to 240 VAC (factory-configured for country of destination) |
| Power Requirements (continuous) | 100W |
| Physical | |
| Length | 15.56 inches (397 mm) |
| Width | 16 inches (406 mm) |
| Maximum Height | 5.5 inches (140 mm) |
| Weight | 20 lbs. |
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